What I’m Reading
Shareworthy articles and content syndicated from other sites. These aren’t things I’ve written or necessarily endorse, for the record.
Questionable ‘Piracy’ Study Found; Details Show It’s Even More Ridiculous Than Expected
Thanks to G Thompson for pointing us to where the BSA has stashed a copy of that mysterious “piracy” research report we were just talking about, which was apparently written by someone named Emilio Ferrer. It’s embedded below, and it’s even more ridiculous than we had initially expected. First, the entire thing is based on the massively and completely debunked TERA report from last year, that used such outrageous assumptions as to not even pass the most basic sniff test. The researchers here appear to have made no attempt to determine the accuracy of the TERA report, nor to respond to any of the debunked points.
Digging into what little details there are suggests that this study just gets worse and worse and worse. It takes bad assumptions, then piles on more bad assumptions and then extrapolates out to get totally unsubstantiated conclusions. For example, it assumes that the volume of online infringement grows at the same rate as IP traffic and assumes the rate at which the industry will grow. That last one is particularly silly. Since it’s making up a number for what the total jobs “should” be, it can just create whatever justification that it wants.. and can claim any job loss number it wants to name. The whole thing is a house of cards built on nothing.
Of course, it’s worth pointing out that there was another report, this time from AFACT (the Australian anti-piracy group) just a few weeks before that some have confused this report with. The AFACT report can be seen here (pdf). It’s even worse than the other study in some cases. Check out some of the assumptions in that report: including the laughable claim that “just under half of all pirate consumers would have paid.” There have been various attempts to quantify that number, and I’ve never seen any unbiased source come anywhere close to 50%. At best, I’ve seen 10% claims. The only concession the report makes is that maybe some people use unauthorized copies to “sample,” and make a legit purchase later. But they only count this if the person says they would pay for that legit product, not if it resulted in them buying other authorized products or services.
It also does a laughable job with “ripple effects.” It’s pretty sad. We’ve debunked “ripple effects” reports over and over and over again. They all seem to make the same mistakes. First, it ignores that ripple effects are really ways to count the same dollar over and over and over again. Second, they only count the ripple effects in one direction. So, for example, they say movie industry people lose their jobs, and that means less taxes. But what they don’t say is that any money not being spent on the movies doesn’t disappear from the economy, but is spent on something else — and that something else might actually be even more productive or value generating. In fact, looking at this report, it appears they don’t even consider this point, and assume that all the money “not” spent on movies disappears from the economy.
So there you have it. Two separate reports released within weeks of each other in Australia by the entertainment industry. Each one seems to be trying to outdo the other one in questionable assumptions and extrapolations.
Permalink | Comments | Email This Story
![]()
Ready For Zero – Bringing Transparency to Online Debt Management

Information about debt reduction can be difficult to find, and there are plenty of questionable practices by banks and by debt consolidation companies that just serve to muddy the waters.
So making the task of tackling your debt easy and transparent is a big part of the mission of the YC-backed company Ready for Zero. Ready for Zero a free service with a very simple interface that helps clarify your financial status and plan your way out of debt.
Much like Mint.com, you sign up and link your credit card information, and then Ready for Zero offers you counselling based on your interest rates, balance, and target date for being debt-free.
The emphasis here is on transparency and interactivity, and users can see how adjusting payment amounts, for example, change their status. The software also offers other advice, including tips on how and when to approach a bank to renegotiate your interest rate.
Launched last month, Ready for Zero co-founder Rod Ebrahimi says that the system is already tracking $29 million in credit card debt.
But it isn’t simply a matter of tracking – and helping users track – debt. Ready for Zero has recently partnered with the peer-to-peer lending network, Lending Club. By monitoring its users debt and their work towards paying it off, Ready for Zero can give a snapshot of one aspect of someone’s financial health, and Ready for Zero makes it easy to share that with potential lenders at Lending Club. This means that people can apply for P2P debt consolidation loans at rates that are typically far lower than other banks and lending institutions.
As the startup expands, Ready for Zero says it plans to eventually give users the option to make payments, not just monitor payments, through their interface. “We’re just three guys and we’re a technical team,” says Ebrahimi. But the startup is hoping that by merging that technical expertise with more open data, that Ready for Zero can scale up while helping the rest of us scale back our debt.
Pixelated Free Fonts
Pixel is the basic elementary component of any digital image. Modern displaying technologies have made a great progress to make separate pixels invisible for users; however, designers often choose intentionally to display pixels in large size, thus creating a particular style of a picture or text, when we speak about computer fonts in particular. Actually, pixelated fonts, such as those free fonts showcased below, represent the previous era of digital typography, when the resolution of the displays was low, making the text look angular, awkward, lugged, or just pixelated as the generally accepted term. Today free pixelated fonts with their distinct dots and squares are used in multiple types of design, where it is desirable to underline the machine-origin of the message or create the specific atmosphere of computer fonts, popular a few decades ago.
Design You Trust RSS Feed | Design You Trust on FB | Design You Trust on Twitter | Design You Trust
Amazing artworks and sculptures
The images that I make consist of often unlogical combinations of materials, patterns, colours, forms, with my head as the only constant factor. Each element is consciously chosen so as to affect a pre-determined transformation. By playing with the value of the each material and by using them for a purpose that was not originally intended for them, I construct within the image, in a very small way, a different perspective on the world. In most cases it is my head that is the carrier of these transformations and combinations. The expressionless, and almost universal face, allows the viewer to project himself onto the work. Because the works have really existed and have not been digitally manipulated, each image contains a short history of a performance.
Design You Trust RSS Feed | Design You Trust on FB | Design You Trust on Twitter | Design You Trust













